
This post collects online resources I have saved for my convenience.
此篇文章记录我收藏的一些网站,以便查看。
History
- PANart:
“a Swiss company based in Bern”,
“developed the now world-famous Hang® sculpture”.- hangblog.org:
“A Documentation Project about PANArt, the Hang and other Pang instruments”.
- hangblog.org:
- handpan-timeline.org:
“the most complete archive of the history of the Handpan”.
Blogs
PANIVERSE.ORG:
“keeps your vibes in balance”, a private website about handpan blogs, events, makers, and more.HANDPANS MAGAZINE (last updated in 2019)
Players
-
- Manu Delago - Hang solo (Mono Desire)
- Parasol Peak
- Tyrolian Hang player Manu Delago returns to Austria
- Creativity, Music, Sounds, the Hang®, Handpans, Percussion – a talk with Manu Delago
- Fifteen Questions Interview with Manu Delago
- 60 SECONDS WITH PERCUSSIONIST AND COMPOSER MANU DELAGO
- Interview with Manu Delago: musician and environmental activist
More from:
Some posts:
Playlists
Youtube
Beautiful Handpan Playlist by Austin Armstrong
handpan by chiefofnothingtv
Makers
A Google map sponsored by HARDCASE TECHNOLOGIES, also embedded here.
Some posts:
Digital
Articles / Papers
an article in PHYSICS TODAY and some papers from Thomas Rossing and/or the creators of HANG:
The Extraordinary sound of the hang by Andrew Morrison and Thomas D. Rossing
FURTHER READING
- T. D. Rossing, D. S. Hampton, U. J. Hansen,“Music From Oil Drums: The Acoustics of the Steel Pan,” Physics Today, March 1996, p. https://doi.org/10.1063/1.881489
- T. R. Moore,“A Simple Design for an Electronic Speckle Pattern Interferometer,” Am. J. Phys. 72, 1380 (2004). https://doi.org/10.1119/1.1778396
- B. Copeland, A. Morrison, T. D. Rossing,“Sound Radiation from Caribbean Steelpans,” J. Acoust. Soc. Am. 117, 375 (2005). https://doi.org/10.1121/1.1803574
- A. Morrison,“Constructing and Using a Low Cost Speckle Pattern Interferometer for Analysis of Musical Instruments,” J. Acoust. Soc. Am. 124, 2510 (2008).
ISMA2007:
- ACOUSTICS OF THE HANG: A hand-played steel instrument by Thomas D. Rossing, Andrew Morrison, Uwe Hansen, Felix Rohner, and Sabina Schärer
- HISTORY, DEVELOPMENT AND TUNING OF THE HANG by Felix Rohner and Sabina Schärer
155th Meeting of Acoustical Society of America, Paris, France, 2008
- Sound of the HANG by David Wessel, Andrew Morrison and Thomas D. Rossing
A MSc Research by Eyal Alon at University of York:
- Analysis and Synthesis of the Handpan Sound by Eyal ALON
A doctoral thesis by Ahkok Chun-Kwok Wong at City, University of London
- The History, Development and Global Dissemination of the Hang/Handpan
Misc
Clips
From the movie La vie d’Adèle – Chapitres 1 & 2 (Blue is the Warmest Color)
Note: is the song called “A Que Bueno” by Klaïm? According to the film end credits :
from an article “La Vie d’Adèle” : 5 anecdotes méconnues sur le film (Google Translate: “La Vie d’Adèle”: 5 little-known anecdotes about the film):
Si on a beaucoup parlé de la présence de la chanson I follow rivers de Lykke Li, on sait moins de choses sur les musiques instrumentales qui habillent certaines scènes du film, notamment celle du premier regard échangé entre Adèle et Léa. L’instrument que l’on entend s’appelle un hang (ou hang drum).
“Un jour par hasard, j’ai rencontré un musicien qui jouait d’un instrument qui avait un son très mélancolique et en le mettant dans la scène j’ai pensé que ça pourrait créer cette émotion forte pendant la rencontre. Je crois que la musique à ce moment-là participe de l’émotion dans la rencontre”, a expliqué Abdellatif Kechiche lors d’une conférence de presse au New York Film.
Google Translate: While much has been said about the presence of the song I follow rivers by Lykke Li , less is known about the instrumental music that adorns certain scenes in the film, notably that of the first glance exchanged between Adèle and Léa. The instrument that we hear is called a hang (or hang drum).
“One day by chance, I met a musician who played an instrument that had a very melancholic sound and by putting it in the scene I thought that it could create this strong emotion during the meeting. I believe that the music at that moment participates in the emotion in the meeting ,” explained Abdellatif Kechiche during a press conference at New York Film.
More from Klaim/Klaïm:
A short bio Klaim
A youtube playlist Klaïm Hang